#Guddu ki gun movie explained plus#
The Galatta Plus conclave, Session 1: ’35 years of NAYAKAN’.Rajeev Ravi’s ‘Kuttavum Shikshayum’, starring Asif Ali, is a superb police drama that ditches easy thrills for solid procedural detail.
Interview: Rakshit Shetty (777 Charlie).Abhijith Joseph’s cop-thriller ‘John Luther’, starring Jayasurya, has some good ideas that are let down by the writing.Readers Write In #465: In ‘Toolsidas Junior’ Other than Snooker, Motivational Lessons to Learn.Lokesh Kanagaraj and Kamal Haasan make history by giving Tamil cinema its first real genre-specific “action movie”.Chandraprakash Dwivedi and Akshay Kumar serve us a tedious and overly talky historical epic.A link to this URL, instead, would be appreciated. This article may not be reproduced in its entirety without permission. “sona hamesha oopar hi jaata hai” = gold always goes… upĬopyright ©2015 Baradwaj Rangan.After an hour, the outrageousness gets old, and things really peter out. Meanwhile, the golden gun itself is stolen, hunted for, and, eventually, welded back into place. (Why get all serious in a film with this story?) There’s a Jaane Bhi Do Yaaro-inspired climax that riffs on Mughal-e-Azam. There’s an “ugly girl” whose sacha pyar will cure Guddu. There’s a journalist who learns about the “Lord of the Lings.” He’s out for an exclusive – with a photograph. I’d tell you about it but it’s a schlong story.Īs these things go, Guddu Ki Gun isn’t very, uh, hard to sit through – but situations that should have made us spurt with laughs are rendered somewhat limp. Like “dingdong.” And “ nunu.” If you remember, the villain in Austin Powers in Goldmember suffered from a similar condition. Along with various euphemisms for the thing itself. They’re content with little bouts of wordplay – “ sona hamesha oopar hi jaata hai,” that sort of thing. The problem is that the directors, Shantanu Ray Chhibber and Sheershak Anand, don’t, um, rise to the occasion. (Would the French call this an “Au Pair”?) And Brajendra Kala is at hand as a shady sex doctor – the very image induces a smile. If the good roles don’t come, he’s saying, I’ll prick pick what I get, even if it’s a story about my junk turning to gold.
Kunal Khemu is game as ever – he must have the most reserves of equanimity in Bollywood. A monumental sex comedy could be erected from the premise of a young man who finds, one day, that his “man power” has transformed into a “ sone ka tower” – but Guddu Ki Gun isn’t it.
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